Immersive 360° environments co-created with and for communities. Each space holds memory, voice, and lived experience — threaded by an intelligence that listens.
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This started with a simple belief: that communities already hold the knowledge they need. The question is whether there are tools that help them surface it, hold it, and share it on their own terms.
Collective Memory is a living archive. It is four 360 degree immersive environments built alongside the communities inside them, each one capturing real voices, real places, and the kind of knowledge that usually gets left out of official records. The footage is not ours. The stories are not ours. We were invited in, and we tried to be useful without taking over.
Running through all four environments is Asili, an interpretive intelligence we built specifically for this kind of work. It does not generate content. It listens to what people actually said and finds the patterns and connections that cross geography, time, and difference. The threads you encounter inside each space come from the material itself.
The whole system runs in a browser. No app to install, no headset required. It works on a phone, a laptop, or a desktop. We built it this way on purpose. The communities we work with should not need special equipment to access their own stories. And when the technology shifts, which it will, the architecture is ready for it.
These four communities are a beginning. We can imagine a hundred of them. We are building the tools alongside the environments so that this process can be used by any community that wants to hold and share their own knowledge, decide what gets shared and what stays private, and choose how the space gets used, whether that is education, funding conversations, cultural preservation, or something we have not thought of yet.
Civic Designers is based at Hope Village in Pawtucket, Rhode Island. We are a small team with a big belief that communities deserve better tools.
To the MIT Open Documentary Lab — past fellows, present fellows, and everyone still to come. You showed us what it looks like when documentary practice takes the question of community seriously. This work grew in that soil. We are grateful for the space, the challenge, and the ongoing conversation.